Memoirs of Self-Sabotage unfolds as a musical drift: fragments written and recorded on tour between France and Italy shaped by precariousness administrative tension loss and paranoia. The tracks emerge like scenes from a psychological film noir—a distorted discotheque of monologues songs skits and anachronisms—where the voice oscillates between seduction and rupture.At its core lies a troubling insight: the most insidious exploitation is that of one’s own intimacy. As emotions and desires become commodities the project resists absorption. Each track becomes a site of desertion—refusing roles codes and systems of control even those posing as critique. Alliances blur betrayals loom; lucidity tips into paranoia.Warped echoes of nostalgia cinematic layers voices in tension: the music becomes an unstable space a laboratory of drift and survival. Neither record manifesto nor autobiography it unfolds as a mental disco where desire fear and self-sabotage coexist.